Summary
I have to bow my head to enter the tearoom through the low door. When I look up again, I am face to face with Sing Suo-ko, who stands in the centre of the room, her hands clasped inside the sleeves of her kimono. She bows low and, in a voice that is barely audible, instructs me to kneel on the bamboo matting at one end of the room.
Sing kneels opposite me, behind a sunken charcoal fire that throws a warm glow over the floor. A small metal kettle steams above the fire. The only other objects in the room are a vase with a white flower in an alcove and a scroll of Japanese writing hanging above it.See the full content of this document
Extract
An Englishwoman Abroad in Japan, Everything Stops for Tea
Sing is in her fifties, with delicate features but a face too long to be beautiful. She is intent on the preparation for the tea ceremony...
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