Copyright in UK Law

  • Copyright cultures
    • No. 25-3, September 2007
    • Library Hi Tech
    • 430-435
    Purpose: This column aims to look at the different economic and intellectual approaches to copyright as separate cultures whose assumptions and approaches make it difficult for them to share a sing...
  • Copyright in the networked world: copyright police
    • No. 24-1, January 2006
    • Library Hi Tech
    • 153-159
    Purpose: The purpose of this column is to look at how copyright enforcement is handled. Design/methodology/approach: Legal issues in enforcement are examined, as well as the initiatives of organiz...
  • Copyright in the networked world: gray copyright
    • No. 26-2, June 2008
    • Library Hi Tech
    • 325-332
    Purpose: This paper uses an inductive approach to define “gray copyright.” It is needed to describe those situations in which the practical degree of copyright protection can best be measured in sh...
  • Why a copyright column?
    • No. 17-1, March 1999
    • Library Hi Tech
    • 121-125
    Copyright is integral to everything we do in digital publishing. This new column will examine a wide range of intellectual property issues using concrete examples from current projects. Since Inter...
  • Copyright in the networked world: copyright status facts
    • No. 19-1, March 2001
    • Library Hi Tech
    • 99-103
    Libraries tend to make assumptions about copyright. The assumption is that any work published since 1923 has copyright protection. This article is about how to discover key facts about the copyrigh...
  • The information bottleneck — electronic copyright issues
    • No. 24-3, March 1994
    • VINE
    • 3-6
    Copyright is frequently mentioned at library IT conferences as a slight problem to be overcome. Instead, this article affirms that it is a major impediment which affects all players in the electron...
  • COPYRIGHT LICENSING — THE INTERNATIONAL SCENE
    • No. 9-3, March 1988
    • Library Management
    • 43-51
    IFRRO is the central forum for information exchange and mutual action for organisations concerned with reproduction rights for copyright materials. More than 45 national and international organisat...
  • AUTOMATION OF COPYRIGHT DEPOSIT
    • No. 16-3, March 1986
    • VINE
    • 22-26
    Introduction Two computer systems, using similar hardware and software, have been installed at the Copyright Receipt Office of the British Library and at the Copyright Agency to handle receipting a...
  • Forensic Technologies in Music Copyright
    • No. 25-4, August 2016
    • Social & Legal Studies
    • 0000
    The essay explores some recent controversies in British music copyright through the evolving technologies used to perform or play music in the courtroom. Whilst the conceptual tension between cases...
  • Copyright and Mass Social Authorship
    • No. 24-4, December 2015
    • Social & Legal Studies
    • 0000
    Social authorship ventures involving masses of volunteers like Wikipedia are thought to be a phenomenon enabled by digital technology, presenting new challenges for copyright law. By contrast, the ...
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