Copyright Law in UK Law

Leading Cases
  • Hyde Park Residence Ltd v Yelland
    • Court of Appeal (Civil Division)
    • 10 February 2000

    I have pointed out earlier in this judgment that the basis of the defence of public interest in a breach of confidence action cannot be the same as the basis of such defence to an action for infringement of copyright. In an action for breach of confidence the foundation of the action can fall away if that is required in the public interest, but that can never happen in a copyright action.

  • Nova Productions Ltd v Mazooma Games Ltd
    • Court of Appeal (Civil Division)
    • 14 March 2007

    Similarly and more generally, a written work consisting of a specification of the functions of an intended computer program will attract protection as a literary work. The fact that a work can get copyright even if mundane, is old and familiar to an English lawyer. But the Directive needed to say that protection as a literary work should be provided for preparatory design work because not all Member States under their existing laws necessarily provided that.

  • Designer Guild Ltd v Russell Williams (Textiles) Ltd (trading as Washington DC)
    • House of Lords
    • 23 November 2000

  • Ladbroke (Football) Ltd v William Hill (Football) Ltd
    • House of Lords
    • 21 January 1964

    And if he does copy, the question whether he has copied a substantial part depends much more on the quality than on the quantity of what he has taken. But, in my view, that is only a short cut, and the more correct approach is first to determine whether the plaintiff's work as a whole is "original" and protected by copyright, and then to enquire whether the part taken by the defendant is substantial.

    Whether a part is substantial must be decided by its quality rather than its quantity. The reproduction of a part which by itself has no originality will not normally be a substantial part of the copyright and therefore will not be protected. For that which would not attract copyright except by reason of its collocation will, when robbed of that collocation, not be a substantial part of the copyright and therefore the courts will not hold its reproduction to be an infringement.

  • Chaplin v Leslie Frewin (Publishers) Ltd
    • Court of Appeal
    • 25 October 1965

    It appears to me that Clause 1 of the document should, on the proper constructionof the document, be regarded as, and given the effect of, an assignment of copyright - an assignment at the time when it was made of future copyright - which by the effect of Section 37(1) of the statute became an assignment of copyright and a vesting of copyright when the work came into existence.

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Legislation
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Books & Journal Articles
  • Copyright Law's Musical Work
    • No. 15-1, March 2006
    • Social & Legal Studies
    • 0000
    This article addresses and contests a particular narrative about the history of copyright law's engagement with music, an exemplary version of which is to be found i...
  • Originality in European Union Copyright Law
    • No. 5-1, January 2015
    • Southampton Student Law Review
    • Eugene Lau
    • University of Southampton
    • 46-50
    This essay concerns the harmonisation of the originality requirement for copyright protection in the European Union (EU) and its impact on United Kingdom (UK) copyright law. The issue will be appro...
  • Popular Music and Copyright Law in the Sixties
    • No. 40-4, November 2013
    • Journal of Law and Society
    Copyright and its relationship with popular music is one of the most disputed issues amongst music and copyright scholars. While some have accused copyright of being blind (or deaf) to the particul...
  • Book piracy and Nigerian copyright law
    • No. 19-1, February 1998
    • Library Management
    • 22-25
    The Nigerian copyright Decree No. 47 of 1988 gives protection to copyright owners with stiff penalties in the event of violations and piracy. This paper considers these provisions of the law in rel...
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