Book Review: Film and Constitutional Controversy: Visualizing Hong Kong Identity in the Age of “One Country, Two Systems”

DOI10.1177/09646639221081503
Published date01 August 2022
AuthorMÓNICA LÓPEZ LERMA
Date01 August 2022
Subject MatterBook Reviews
as an advantage, it has also affected the disciplines ability to reach its maturity(Örücü, 2007,
44). It cannot be doubted that Feketes meticulous and innovative historical appraisal of com-
parative laws modern development represents an important step towards the formation of a
discipline fully aware of, and conf‌ident in, its value and potential.
LUCA SILIQUINI-CINELLI
University of Dundee, UK
Declaration of Conf‌licting Interests
The author(s) declared no potential conf‌licts of interest with respect to the research, authorship, and/
or publication of this article.
Funding
The author(s) received no f‌inancial support for the research, authorship and/or publication of this
article.
ORCID iD
Luca Siliquini-Cinelli https://orcid.org/0000-0003-4455-3769
Note
1. Ibid. 280.
References
Kelley DR (1990) The Human Measure. Social Thought in the Western Legal Tradition.
Cambridge, MA: Harvard University Press.
Örücü E (2007) Developing comparative Law. In: Örücü E and Nelken D (eds) Comparative Law:
A Handbook. Oxford: Hart Publishing, 4365.
Roughan N and Halpin A (eds.) (2017) In Pursuit of Pluralist Jurisprudence. Cambridge:
Cambridge University Press.
Twining W (2009) General Jurisprudence. Understanding Law from a Global Perspective.
Cambridge: Cambridge University Press.
Van Hoecke M (2017) Is there Now A comparative legal scholarship? The Journal of Comparative
Law 12(1): 271280.
MARCO WAN, Film and Constitutional Controversy: Visualizing Hong Kong Identity in the Age of One
Country, Two Systems. Cambridge: Cambridge University Press, 2021, pp. 176. ISBN: 9781108797764,
£ 27.99 (pbk).
In Film and Constitutional Controversy, Marco Wan aims to demonstrate that to fully
understand constitutional law and its relationship to identity in modern-day Hong
Kong, it is necessary to turn our gaze from the hallowed chambers of the courtrooms
and the legislature to the cinema screens(21). Wan argues that identity in modern-day
Hong Kong is inextricably connected to the constitutional principle of the Peoples
Book Reviews 651

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